Microphones
Neuman TLM 103:
~The Neumann TLM 103 large-diaphragm condenser has the depth and sparkle to turn your
acoustic recordings downright three-dimensional.
~Neumann TLM 103: huge dynamic range with low noise and coloration.
~The K103 large-diaphragm capsule is based on the K87, well known from the U67 and U87
microphones. The capsule has a flat frequency response up to about 5kHz, and above that, a
wide flat 4dB presence boost. The TLM 103's large wire mesh grille protects the capsule from
plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the TLM 103 maintains an excellent impulse response and reproduces the details of music and speech without coloration. With the TLM 103's incredibly low self-noise, even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138dB without distortion, the TLM 103 provides a dynamic range of 131dB (A-weighted).
AKG 2000 C:
~Cardioid pattern with precision-built capsule.
~The C 2000 B transducer capsule has been acoustically designed with a cardioid polar
pattern to make the microphone suitable for use both in the recording studio and on stage.
~The diaphragm is made of a plastic foil that is gold-sputtered on one side to prevent local
shorts to the back electrode even at extremely high sound pressure levels.
~Switchable pad for added SPL capacity.
~A switchable preattenuation pad allows you to increase the maximum SPL capability of your C 2000 B by 10 dB for distortion-free close-in recordings. ~Many mixing console input stages use small transformers that are susceptible to overload, particularly at low frequencies. The C 2000 B's pad prevents such overload.
Shure Beta 87A:
~The Shure Beta 87A handheld condenser microphone is a great live mic. If you're really
desiring great nuance, or for vocalists looking for a higher-quality sound than the rusty old
mics at your local venue, the Beta 87A is a great fit.
~While giving you a crystal clear sound, their supercardioid pickup pattern is absolutely
stelar at feedback rejection. And of course, you get legendary Shure roadworthiness and
quality, which is why Shure is a live standard worldwide. If you need to perform and sound
your best every night, the Shure Beta 87A is a great choice.
Shure Beta 58A:
~Perfect for vocals in live environments, this go-to dynamic mic gives you the ruggedness
you need while its supercardioid pickup pattern excels at keeping outside sound sources at
bay.
~The Beta 58 has a very smooth frequency response, so it works well on all kinds of voices.
When clean, clear, detailed stage sound is a requirement, choose the Beta 58A.
Shure Beta 57A:
~The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range.
~This insures high gain before feedback, maximum isolation from other sound sources,and
minimum off-axis tone coloration.
~A completely new grille design on the Shure Beta 57A lets you take better advantage of
proximity effect.
~The Shure Beta 57A is an exceptionally versatile microphone.
~Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Shure DMK5752 Drum Microphone Package:
~This package includes three SM57s, one Beta 52, three of Shure's superb A56D drum
mounting systems, and a lightweight and durable carrying case.
~High profiles drummers like Simon Phillips, Dennis Chambers and Dave Weckl, among
the most in-demand drummers in the world, and thousands of others, depend on Shure
reliability and the Shure sound.
~This is a great opportunity to outfit your kit with the best!
AKG D112 MKII:
~Its presence peak makes your low-frequency instrument punch through in almost any mix.
~Being a kick drum standard for years and years, it is also often seen miking up bass
cabinets, guitar cabinets for low-tuned performances, and anywhere else optimum low-
frequency performance is a must.
~Its integrated flexible mount ensures you can always position it where it needs to be.
Shure SLX24/Beta87A Wireless:
~Combines an SLX2/Beta87A handheld microphone/transmitter with the Shure SLX4
diversity receiver.
~Great for installed sound applications and working bands, this Shure SLX wireless system
offers up Shure's patented Audio Reference Companding technology along with a setup
complete with automatic synchronization and support for up to 20 compatible systems
(area dependent).
~The Shure SLX2/Beta87A, included with the SLX24/Beta87A, is a supercardioid electret condenser microphone, providing exceptional isolation from other onstage sounds. At Sweetwater, we enjoy the easy setup provided by automatic frequency scanning and transmitter setup with the SLX24/Beta87A.
